2016
Recording projects--->
Emil Awad's *Fouad*
Jose Saldana's *Homenaje a Joe Pass*
Anderson works:
*Afterlight*
words by Kirsten Anderson
Epicurean Song
from The Death of Virgil
May 10
Babbitt Centennial Bash
featuring
Wuorinen's *Cygnus* for tutti Cygnus, with 2 electric guitars
Brickle's *Farai un vers*
Dawe's *Glass Harmonica*
Anderson's *Concertino*
Konrad Kaczmarek's -new work tba-
Babbitt *Vision & Prayer* w/Elizabeth Farnum
Babbitt's *Soli e Duetinni*
Edward Cone *Serenade* (1975) flute/violin/viola/cello
July
MIMM residency
Maui Institude for Modern Music
hosted by Ebb & Flow Arts
compoing & performing
October
doing Harold Meltzer's Brion
with the
Chamber Music Society of Lincoln Center
Thu, Oct 27
@ 6:30pm concert, Rose Studio
@ 9pm concert, Rose Studio (live streamed)
William Anderson, composer, guitarist, ensemble director, and champion of new American music, soaked up contemporary American music for 30 years, working directly with composers from all over the map. In the last 15 years Anderson began composing works that draw on that experience, with a particular concern for finding a coherent way to make maximalism and minimalism work together; how to make embarrassingly simple and charming music work with the most complex musical modalities? Pastiche is not an option.